“I Only Have Eyes For You” was composed in 1934 by Harry Warren through lyrics by Al Dubin. This tune was featured in the 1934 movie “Dames,” first as Dick Powell singing to Ruby Keeler, then as a manufacturing number in which Powell sees Keeler’s challenge everywhere he looks. 

The song was a hit in 1959 for The Flamingos, in 1966 for The Letterguy, in 1975 for Art Garfunkel, and was named the most-tape-recorded song of the 20th Century by ASCAP.

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Harry Warren (1893 – 1981) was born Salvatore Anthony Guaragna in Brooklyn, New York. Having taught himself to play a number of instruments – consisting of piano, accordion and drums – he took a project as a drummer with the John Victor brass band also as a 15-year-old.

After his stint through the band also, Warren toured via a number of carnival shows, functioned as a stagehand in a vaudeville theater, and then as a building male and also piano player for Vitagraph Studios.

After serving in the Navy in WWI, Warren started composing songs. “Rose of the Rio Grande,” created in 1922 via Edgar Leslie and Ross Gormale, was his initially publimelted song.

Warren went on to compose thousands of famous songs and display tunes, 3 of which took Oscars: “Lullaby of Broadmethod,” “On the Atchichild, Topeka, and the Santa Fe,” and “You’ll Never Kcurrently.” 


  In addition to “I Only Have Eyes For You,” Warren composed the famous film-featured tunes”You Must Have Been a Beautiful Baby” (1938), “Chattanooga Choo Choo” (1941) and “That’s Aeven more.”  

He was chosen right into the Songauthors Hall of Fame on his 80th birthday and had even more songs on the Hit Parade than Irving Berlin.

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Lyricist and also composer Al Dubin (1891 – 1945) ditched school to watch Broadmethod shows, was kicked out of high school, and expelled from clinical college.

He worked as a staff writer for a publishing company, offered in WWI, and then delved right into songwriting. 

Dubin began composing for silent movies in 1926, created “Tiptoe Thturbulent the Tulips” with Joseph Burke in 1929.  His collaboration with Harry Warren  in 1932 developed numerous hits including “Boulevard of Broken Dreams” (1933), “We’re In the Money” (1933), “Lullaby of Broadway” (1935), and “September in the Rain” (1937). 

Dubin was posthumously inducted into the Songauthors Hevery one of Fame in 1970. 


Sources: jazzstandards.com; imdb.com; allmusic.com; jazzbiographies.com; songwritershalloffame.org; “Can’t Assistance Singin’: The Amerideserve to Musical on Stage and Screen” (1987) by Gerald Mast